For many people, it is sometimes difficult to appreciate the mark-up on wines in restaurants, the significantly higher prices -often for the same wines- we are asked to pay when compared to the supermarket, or the wine shop.
We can fail to consider the significant and measurable added costs in setting and service, for example: the furnishings, fittings, artwork, linen, glassware, service staff, training, powered storage, air conditioning, music, mood lighting, decanters, openers, uniforms, flowers, wine list printing costs, and more.
All of these things are carefully incorporated into your dining experience, and hopefully elevate your appreciation of it. Whilst the owner of the establishment is working out how to juggle and offset these costs against his revenue streams, (namely, food and beverage). Trying to decide just how much is a reasonable amount to recover via wine prices, whilst still hoping to turn a small to reasonable profit.
In fact, wine is just one of many parts that go into the occasion, the sum of all parts being the entire dining experience, the food, the service, the décor, the ambiance, and of course the wine offering, the wine chosen and its pairing with the food ordered. However, many of these elements are intangible, in the background, quietly contributing to the whole, (and all costing considerable amounts of money) whilst being undervalued or, even barely noticed by the paying customer.
At Khema Restaurant, on Rue Pasteur, they seem to have hit upon an ingenious solution. Famous for their artisan bakery, patisserie, fromagerie and charcuterie -which customers drop in and purchase to take home; Khema have added a wine wall to this ‘store’ part of their establishment. Wines are at ‘bottle shop’ prices and are very reasonable indeed. However, the truly exciting offer is that customers can now purchase these wines at the same off-premise prices, and for a small corkage fee, ($10) drink them in the restaurant with their meal; an initiative that is bound to see their sales of wine increase exponentially, both take-home and in-house.
This opportunity opens up all sorts of food and wine pairing possibilities and I quickly organized an evening with friends to do just that.
The philosophy of aesthetics is concerned with the nature and appreciation of art, beauty and good taste, much of that study has to do with empirical posteriori evaluations gained from the senses of sight and sound or simultaneous combinations of the two. Yet I have long been absorbed by the organoleptic aesthetics appreciated through smell, touch and taste. Olfaction being the only sense that plugs straight into that part of our brain, where we regulate emotions and store memories, (the limbic system) and the subject matter, (food and beverage) is the only artform where, via gustation, we ingest it into our bodies; making the preparation of foods and beverages the only artform that truly sustains us. The great chefs and winemakers of our world have to be part scientist in their laboratories, (be that kitchen or winery), but the very best are also true artists; as creative, skillful and talented as a Matisse, Mozart or Modigliani.
I arrived at Khema early, spending a good deal of time surveying the ‘wall of wine’ and then studying the menu, by the time my friends arrived I was ready to make my serious pairing choices.
The first course: salmon gravlax, salt and pepper seasoning, dill, beautifully presented with a cheek of lemon, sour cream, capers, rings of allium onion and pearls of ikura roe. The salmon sliced so fine as to have a translucence, it is flavourful and laden with rich, fatty aminos and omegas.
The pairing called for a wine with plenty of richness of flavour -to compete with the strong flavours of the cured salmon- it also needed to have good acidity so as to cut through all that fatty acid which the species is famous for, and its flavour profile needed to be complimentary to the protein, the main ingredient and strongest flavour in the dish.
As it’s the first course, I wanted a white wine, a great winemaker and gastronome once joked with me that starting with a white was very important, because it prepared the palate for the red to follow -I have never forgotten it. For flavour intensity and palate weight, I opted for a Chardonnay however, this ‘great wall of wine’ had to have the right option, a Chardonnay from a cooler climate, to ensure it had the right structure and all of that minerality and fine acidity that the very best display; I was thinking of white Burgundy.
I settled on a wine from the very respected producer, Joseph Drouhin, a Chardonnay from the extreme south of the Maconnais, in a little sub-region known as Saint Veran. Not dissimilar to a Pouilly Fuisse, the wine showed exceptional fruit with good depth and complexity, wrapped up tightly in fine and bracing minerality, derived from the Jurassic limestone and chalky soils.
The structure impressive and the flavours showed clean and bright, with fig, orange zest, white peach, hints of carambola and notes of spice. The fruit comfortably matched the protein for intensity, and nicely complimented the dish, whilst the mineral and citrus like acidity danced along the back of the palate and cleansed it of any oily, fatty residuals, freshening up the palate and diner, ready for another morsel.
It was a truly magnificent combination and one that would prove hard to surpass for the rest of the meal.
The main course was to be a shared affair, with my two guests -fellow gourmands Jack and Nicolas. We opted for lamb shank and a beef wellington between us. Two reds were to be selected and whilst I was looking for wines to paired well with the dishes, I was also looking for a contrast between the two selections. Different varieties, winemaking styles and hemispheres.
The Lamb shank is a cut from the shin of the lamb, it is one of the most flavorful cuts, with the connective tissue giving it a stronger, more gamey flavour. The leanness of this cut means it needs to be braised slow and low, which then gives the dish a juicy, tender, fall off the bone texture. The Khema Lamb Shank is exquisitely prepared, tender and juicy.
The wine chosen was named Anubis, an inexpensive Malbec from the Valle de Cafayate, in Mendoza, Argentina. A wine made by the very talented Susana Balbo. A deep, dark, wine packed full of brooding plum, black cherry, pomegranate and blueberry fruits, with hints of vanilla cola, and pan spices adding a touch of complexity. On the palate, the wine is plush with concentrated, ripe, berry fruit and fine, silky tannins.
Of the pairing, the wine competed well for attention against the strong flavours of the shank, having enough weight and power to go well with the dish; whilst also having just enough fine tanning to cleanse the palate without being overly aggressive. Where acidity in wine promotes saliva flow, which transports flavours away from the taste buds, tannin acts as a drying agent and binds to fasts, oils and greasy components of a dish, which also has a refreshing, rejuvenating effect on the palate between portions.
The opportunity to eat a majestic Beef Wellington is always an occasion, always special: a perfect cut of beef tenderloin, rolled in pate, then finely chopped duxelles, all wrapped up in a puff pastry crust and served with a foie gras or madeira sauce; a great beef wellington is a masterpiece. When it arrives, the Khema Beef Welling is cooked perfectly, each layer melting in your mouth, flavours of sweet rich meat, savoury notes, earthy characters, with a myriad of textures, the dish is a well-executed classic, it is divine.
Here is a dish of substantial body but a vivid complexity of flavour, I did not want to overwhelm the dish with a wine that was too powerful or too tannic, I wanted a medium bodied red with subtle tannins and good acidity.
Nestled in the foothills of Mount Ventoux, on the south-easternmost fringes of the Rhone Valley wine region; the vineyards of Ventoux are higher and cooler than those of its more famous neighbours. The vineyards here are also somewhat more protected from the ravages of the infamous Mistral wind. The cooler ripening conditions see grapes retain greater acidity, with more complexity and concentration of flavour, giving the wines depth, elegance and animation.
I opted for a Domaine Aymard Intemporel Rouge from Ventoux, a blend of Grenache, Cinsault and Syrah. A medium bodied red with good acidity and dry, savoury fruit characters. The wine showed lovely primary fruit notes of raspberry, (Grenache), red current, violets and black tea (Cinsault) and a hint of plum, olive tapenade and peppery spices (Syrah). A very dry wine, it allowed the complex flavours of the dish to shine, whilst the acidity and very subtle tannins rejuvenated the palate with each sip. The wine earned its stripes here and did more to accentuate the Beef Wellington than compete with it for attention.
We ordered a cheese platter that included an excellent Morbier, and a locally made Khema Rousseau which was also very good, and washed the rest of the wines down with these. A task we relished.
All in, it was an excellent dinner, the food is of a fine dining standard, the wines were exceptional and paired beautifully with the dishes, and the $10 corkage made the whole evening not only extraordinary value for money, but an experience that shall be repeated many, many more times to come. In my view this now makes Khema the go to place for high quality, great value food and wine dinners.
Written by Darren Gall